The Expanded Artist’s Book edition is underway, with production on the physical book scheduled to begin in mid-January.
Visitors to the 2014 Modern Language Association Conference in Chicago will have the opportunity to play with an alpha version of the app at the Electronic Literature Pathfinders exhibition, curated by Drs. Dene Griegar and Stuart Moulthrop. The exhibition will be held in the Sheraton II Ballroom, Level 4.
Thursday, January 9, 2014, Noon to 7:00 p.m.
Friday, January 10, 2014, 9:00 a.m. to 6:00 p.m.
Saturday, January 11, 2014, 9:00 a.m. to 6:00 p.m.
Complete exhibit information via the Pathfinders website:
Pathfinders: 25 years of Experimental Literary Art continues the work of Pathfinders: Documenting the Experience of Early Digital Literatureby featuring the work of the pioneering experimental literary artists of the late 1980s and early 1990s whose work Grigar and Moulthrop are working to preserve, as well as highlighting innovative contemporary artists experimenting today with computing technologies for literary production. Ultimately, the exhibit enacts the notion put forward by Anne Burdick et al that curating is a critical practice (32), and it makes the argument that literature is not relegated to paper and ink, but transcends all mediums and is expressed through technologies available on hand.
Paths to Electronic Literature
The first part of the exhibit presents the early works of digital literature that comprise the current preservation efforts by Grigar and Moulthrop for thePathfinders project. These works will be made available at the exhibit on vintage computers on which the works were originally experienced by readers at the time of their publication. The computers are part of the collection in Grigar’sElectronic Literature Lab, the site where the Pathfinders research is taking place. Also highlighted at this station will be raw documentation videos of the artists’ traversals produced for the Pathfinders project.
Also included in the exhibit is Bill Bly’s We Descend. Pathfinders is collaborating with the Maryland Institute for Technology in the Humanities to include Bly’s 1997 hypertext in the project.
The second part of the exhibit, entitled “Current Directions,” features contemporary electronic literature artists who have produced narratives, poetry, drama, and essays via physical computing technologies, augmented reality, social media, mobile media and other innovative approaches. It is the curators’ contention that just as hypertext authoring systems like Storyspace and Hypercard were seen as new technologies that allowed for highly experimental writing in the 1980s (See Bolter, Writing Space, 1st Ed., p. 23), these contemporary technologies also lend themselves for compelling literary work.
Station 2. Multimedia Books & Apps
Samantha Gorman & Danny Cannizzaro: “PRY”
Amaranth Borsuk, with Kate Durbin, & Ian Hatcher: Abra
Andreas Muller: “For All Seasons”
Station 3. Immersive Environments
Christine Wilks and Andy Campbell: Inkubus
Station 4: Participatory Media
Jay Bushman, with Mike Daisey, The @gony @nd the Ecst@sy of Steve Jobs
Station 5. Augmented Reality
Jacob Garbe: Closed Rooms, Soft Whispers
Station 6. Physical Computing
Josh Tanenbaum and Karen Tanenbaum: The Reading Glove
Station 7. Mixed Mediums
Erik Loyer: “Breathing Room”
Jason Nelson: Speech/Media_To_Text_Poetry_Translation